Museum quality, always
Archival pigment inks on 240gsm acid-free paper — colour that stays true for a hundred years, not a season.
Framed began in 2014 in a spare room in Lisbon, with one flatbed printer and a stubborn belief: the art you love shouldn’t cost a month’s rent, and it shouldn’t arrive as a flimsy poster you have to fight into a frame.
Today we work with more than 120 independent artists around the world, printing each piece to order on archival paper and hand-framing it in solid wood. Nothing sits in a warehouse for years — your print is made when you order it, signed where editions allow, and shipped ready to hang.
We’re a small team that genuinely loves this stuff. If a print isn’t good enough to hang in our own homes, it doesn’t make the gallery.
The numbers behind the prints, gathered over the last ten years.
A few things we refuse to compromise on, no matter how big we get.
Archival pigment inks on 240gsm acid-free paper — colour that stays true for a hundred years, not a season.
Every print pays the artist a fair royalty on each sale. Support independent makers, not faceless stock libraries.
We print only what’s purchased and frame with FSC-certified wood — less waste, no overproduction, no landfill posters.
A few of the independent artists whose work you’ll find on our walls.
Lisbon-based painter known for warm, organic shapes — creator of our best-selling Terracotta Forms series.
Type designer turning everyday phrases into bold, kitchen-and-studio-ready statement prints.
Botanical illustrator pressing ferns and eucalyptus into quiet, minimal studies of green.
Landscape photographer chasing fog, blue hours and coastlines from Galicia to the Pacific Northwest.
Browse the full gallery and find a print — or three — worth hanging for the next decade.